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    Ut suscipit pharetra est vitae facilisis

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Imagery of transcendental pleasure potency

"Let us first return to the apparently healthy continent of tantric eroticism. It is through love and in view of love that the world unfolds; through love it rediscovers its original unity and its eternal non-separation. Here too, the union of the male and female principles is a constant topic. Our phenomenal world is considered to be the field of action of these two basic forces. They are manifest as polarities in nature just as in the spheres of the spirit. Each alone appears as just one half of the truth. Only in their fusion can they perform the transformation of all contradictions into harmony. When a human couple remember their metaphysical unity they can become one spirit and one flesh. Only through an act of love can man and woman return to their divine origin in the continuity of all being. The tantric refers to this mystic event as yuganaddha, which literally means 'united as a couple'. Both the bodies of the lovers and the opposing metaphysical principles are united. Thus, in Tantrism there is no contradiction between erotic and religious love, or sexuality and mysticism. Because it repeats the love-play between a masculine and a feminine pole, the whole universe dances. Yin and yang, or yab and yum in Tibetan, stand at the beginning of an endless chain of polarities, which proves to be just as colourful and complex as life itself." The Shadow of the Dali Lama.

The age when a girl's breasts begin to sprout, when her eyes become a little restless, she smiles mildly, and the sentiment of amorous love begins to manifest within her, is called the beginnings of youth. 'Your breasts are now a little raised, your words a little crooked, your eyes a little restless, your hips a little firm, and your waist a little slender. The romavali line of hairs between your navel and breasts is now becoming a little manifest. O beautiful-faced girl, your fresh youthfulness is now perfectly suitable to engage in the service of he who loves you.'"  Sri Ujjvala-Nilamani

The sexual principle is a misunderstood symbol of Reality. It can no more be banished from our consciousness than consciousness itself. The male and female forms are also not the sole and distinctive possessions of this world. There is Reality behind them as well. The soul has a body which is symbolised by the female form and which is absolutely free from any unwholesome material association. "The ascetic's repugnance to the female form prevents an unprejudiced examination of the female sex that is a necessary factor of our conception of amorous love. This amorous love is the highest subject of human poetry and the most powerful factor in all human activities. Its worthlessness is not established by refusing to recognise it as a part of our nature. It would be much more to the purpose to try to understand what it really is." Jayadeva Gosvami

"I am come into my garden, my sister, [my] spouse: I have gathered my myrrh with my spice; I sleep, but my heart waketh: [it is] the voice of my beloved that knocketh, [saying], Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, [and] my locks with the drops of the night. I have put off my coat; how shall I put it on? I have washed my feet; how shall I defile them? My beloved put in his hand by the hole [of the door], and my bowels were moved for him. I rose up to open to my beloved; and my hands dropped [with] myrrh, and my fingers [with] sweet smelling myrrh, upon the handles of the lock. I opened to my beloved; but my beloved had withdrawn himself, [and] was gone: my soul failed when he spake: I sought him, but I could not find him; I called him, but he gave me no answer." Song of Songs

Metaphors for the body and sensory images are fused within the mystic's soul.  The mouth, the tongue, the throat, limbs, womb, breasts, hands, feet, eyes, ears, hairs, the perfected body of the soul's are all manifestly present in intimate moments with the divine godhead." Rosemary Hale. 

"I dress myself in his presence, and he shows me that his love supplies me with raiment. The night coming on and everyone going to rest, I find rest only in the arms of divine Love. I sleep leaning on his holy breast, like a child on his mother's bosom... I say I go to sleep, but I continue to think of the love and praises of my God till I fall asleep. And then, many times in the night, this love rouses up all my senses, so that I cannot sleep the greatest part of the night. Instead, I spend the night in the embrace of the lovely grace of God, who never forsakes me, but preserves me, and takes special care of me." The Good Armelle 1671

"I felt in my soul an unction which, as a salutary balsam, healed in a moment all my wounds. I slept not that whole night, because Thy love, O my God, flowed in me like a delicious oil, and burned as a fire which was going to devour all that was left of self. I was suddenly so altered that I was hardly to be known either by myself or others. I found no longer those troublesome faults or reluctances. They disappeared, being consumed like chaff in a great fire." Madame Guyon

"When God means to enrapture this soul, it loses its power of breathing, with the result that, although its other senses sometimes remain active a little longer, it cannot possibly speak. At other times it loses all its powers at once, and the hands and the body grow so cold that the body seems no longer to have a soul - sometimes it even seems doubtful if there is any breath in the body. This lasts only for a short time because, when this profound suspension lifts a little, the body seems to come partly to itself again, and draws breath, though only to die once more, and, in doing so, to give fuller life to the soul. Complete ecstasy, therefore, does not last long. But, although relief comes, the ecstasy has the effect of leaving the will so completely absorbed and the understanding so completely transported - for as long as a day, or even for several days -- that the soul seems incapable of grasping anything that does not awaken the will to love; to this it is fully awake."  Teresa of Avilla

"The spiritual fire is directly linked to the sexual, (i.e. principle and most basic creative forces) in humanity. Here, the relationship between 'bliss', 'ecstasy' and the erotic impulse can be clearly seen and experienced. The development of a host of 'sexual yogas' and 'sex magic' practices bear this out to some degree. However, it is the sexual desire in humanity that acts as its basic drive and evolutionary force. It is also suggests that the ability and need for mystical experiences is biologically rooted. Only by ignoring the most basic of pleasures, sex, can we ignore the drive to ecstatic union on some level. The 'little death' or petite morte, is a forerunner of the 'big death' as we let go and experience divine oblivion." Mark Stavish

"In his hands I saw a long golden spear and at the end of the iron tip I seemed to see a point of fire. With this he seemed to pierce my heart several times so that it penetrated to my entrails. When he drew it out, I thought he was drawing them out with it and he left me completely afire with a great love for God. The pain was so sharp that it made me utter several moans; and so excessive was the sweetness caused me by this intense pain that one can never wish to lose it, nor will one's soul be content with anything less than God." Teresa of Avilla

"Then were the eyes of my soul opened and I beheld love advancing gently toward me, and I beheld the beginning but not the end. Unto me there seemed only a continuation and eternity thereof, so that I can describe neither likeness nor colour, but immediately that this love reached me, I did behold all these things more clearly with the eyes of the soul than I could do with the eyes of the body. This love came towards me after the manner of a sickle. Not that there was any actual and measurable likeness, but when first it appeared unto me it did not give itself unto me in such abundance as I expected, but part of it was withdrawn. Therefore do I say, after the manner of a sickle. Then was I filled with love and in estimable satiety; but although it did well satisfy me, it did generate within me so great a hunger that all my members were loosened and my soul fainted with longing to attain unto the remainder. Then did I refuse either to see or to hearken unto any creature; I spake not, but my soul spake within me, crying out and beseeching that love would not make it thus to faint for Love's sake, because it held life to be but death." Angela Foligno 1536

                Sacred Erotic Love 2